NEW YORK MINING DISASTER

The following images are in response to Haruki Murakami’s short story, NEW YORK MINING DISASTER. These were created by Junior illustration students in Ken Henson’s Figuration class at the AAC. The poetry following each image was written by Matt Hart during our group critique. Ken says “Thank you” to his students and to Matt.
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Fahrudin Omerovic
One rectangular light like a geometric life, blazing in a city of off-switches.
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Eunha Chung
Every scene has its shadow, simplicity/complexity, like ants on a conveyor belt. Weird red sun in the distance.
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Julio Labra
Each one of us a hive, weird and massive constellations.
When we pull back the curtain of an ear, it’s amazing.
Swarmed or swarming. And expensive.
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Kayla Sorenson
The important stories break between the bars in our cages, between the ribbon-pink streets and secret platforms.
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Kathryn DiMartino
The deer and the cats, like a forest of X-rays.
Your breath hanging out in the distance of distance.
This fossil fuel maybe causes the disaster – an engine burning engine,
like a history lesson.
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Kristy Kemper
The path of the canary in the mouth of the tiger.
Spit-fire rollercoaster flooded with water.
Black-tie infirmary of fireworks snakes.
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Maureen Fellinger
When you raise up your hands, the anemones will blossom.
Multiple shadows make a darkness.
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Graham Vogel
The ears of many rabbits are your only window ever.
The depths become surfaces, the surfaces depths.
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Christine Hurayt
Dear foreign correspondent: Wish you were here.
I’m drinking a pick-axe at the bottom of the ocean.
All my dreams lately are bees with human beards.
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David Canny
Where are we flooded with red-headed spotlights?
My face is your face, but it’s never a likeness.
When you go to the trouble, let it be a commercial –
A commercial for Easy Bake Ovens and light.
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Jessica Burkhart
(image unavailable)
A three-headed flower with its heart on its sleeve; the space
in the void is NO BODY.
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Ashley Serra
When thought breaks pink, with time in a bumble, everyone of us
a raindrop breaking through rock.
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Sarah Grein
To convey this message, we’ll have to cool off.
A marching band future awaits you.
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Kincy Fields
television sucks all the air out of the room.
A vision into vision, where people aren’t breathing.
Nobody’s breathing, but everybody moves,
a stillness as still as evolution.
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Kourtnei Finnell
When we comfort each other in the light we have left,
let us always remember the party.
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KERRIE HOULE: 1 POEM

POEM OF CLARITY POEM AND VERTIGO STILLNESS

Read it here (click on link for poem).
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I started the process of writing this poem by thinking of clear, straightforward statements that pertain to me and/or are specific to who I am (see the statements below). Once I had listed one statement for every year I’ve been alive, I started moving sections of the sentences around. After my rational context was broken, I re-read each sentence and tried to find a way to make each contain a different kind of sense. When I wrote my initial list I found that one statement would inform the next, so in order to wipe out any and all forms of my own sense that might have made it through in the beginning phases of surgery, I rearranged the lines multiple times. I decided to break them up into stanzas because the groupings of broken context created a more interesting context than did the listing of lines.

Although this poem is broken and all over the place I find it extremely beautiful and telling, especially of whom I am as an individual. I love what happens between the title (that I made via the same process that the lines went through) and the first line. I feel like that sets the tone of the poem right away as one that is connected and flowing between its parts. I also really like the last line. It communicates that feeling when your head is too full in a way that resembles the actual experience… I also just really like the way it reads. The music in that line is the strongest out of the whole piece to my ear.

1. Music directly affects my mood.
2. I keep an overhead pen in my bathroom drawer because some of my best ideas happen in
the shower. I write them on my mirror.
3. Most everything smells better after it’s rained.
4. If I can’t have a serious conversation with you, I’ll question why I talk to you in the first
place.
5. Standing on top of a mountain is a freeing experience and yet it leaves me feeling lonely.
6. Feelings will always be a part of life but they don’t determine meaning.
7. Throughout my week, I eat two different meals for breakfast. That’s what I call variety.
8. Give yourself a uniform. It will cut down the amount of time you spend getting ready.
9. Smiling at yourself in the mirror doesn’t mean you’re happy.
10. The sound of rain makes me genuinely happy.
11. There are some songs that have to be listened to at an uncomfortably loud volume to be
fully appreciated.
12. Some pain is addictive.
13. No matter how much I love to write, writing will never compare to talking face to face
with another being.
14. Talking to yourself helps you know what you’re thinking.
15. My friend was killed when I was in seventh grade.
16. High school was confusing.
17. If I could clear out all the song lyrics and movie quotes that I have in my head, I would
have much more room in there.
18. Left field isn’t always as surprising as they make it out to be.
19. Being told that you’re beautiful doesn’t mean you believe it.

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Kerrie Houle is a writer and visual artist currently living in Ohio and attending the Art Academy of Cincinnati.

PATRICIA MURPHY’S 2009-10 AAC VALEDICTORY ADDRESS

The editors of Incliner are very proud to publish this valedictory poem by Patricia Murphy, the Art Academy of Cincinnati’s 2009-10 BFA Class Valedictorian.

Patricia delivered this poem during the graduation ceremony which was held at Cincinnati’s Memorial Hall on May 15th, 2010. The editors would like to wish Patricia and all the 2009-10 BFA and MAAE graduates all the best in their future endeavors. Congratulations.
Please enjoy Patricia’s poem below.

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VALEDICTION (click on link for poem)

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Patricia Murphy is a native of Northern Kentucky. Currently she resides in Cincinnati’s Brighton district where she collaboratively runs and lives behind U·turn, an alternative art space. In the Fall of 2008 she participated in the New York Studio Program operated by AICAD and located in the heart of DUMBO in Brooklyn. Since 2009 she has been teaching for Artstop, a program through the Carnegie Visual and Performing Arts Center. She graduated as the AAC Valedictorian with a BFA in Sculpture in May 2010. In addition to art-making, Murphy also writes poetry and co-assembles a printed publication released in conjunction with U·turn’s exhibitions titled the Brighton Approach.

NICK HILL: 1 POEM

OUR FEET IN THE OCEAN

The half of being alive
that’s worth the trouble
is going berserk.

Are you sensing trouble?

You’ve sure got me questioning, you old dog.

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Nick Hill writes poems, sings, and makes sculptures. He graduated from the Art Academy of Cincinnati in 2009. He now lives in Newport, KY, works in a law firm, plays in an indie-noise-pop band called Great Young Hunters, and co-runs the arts space CS13 in Over-the-Rhine.

LUCAS POHLMAN: 1 POEM

THE TIME THAT DAMN SQUIRREL DREW BLOOD (Click link for poem)

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Lucas Pohlman is a Freshman at the AAC. He still lives in West Chester, although he considers himself a Cincinnatian. In his free time, he enjoys rotting his brain with tv and video games, attempting to fathom the unfathomable, and playing with his kitty-cat named Echo.

Artist and Author David Mack at the AAC 2010

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David Mack returned for another great visit to the AAC this February.

Visiting our Junior-level Narrative Illustration course in the morning, David talked extensively about process and technique, and then did an in-progress critique of some comic pages that members of the class were working on. During the lunch hour, he spoke to the whole school about process as part of our Smart Talk series, providing an in-depth look at THE ALCHEMY, his latest Kabuki collection. As usual, David brought tons of original art for us to look at, which provides an opportunity for students to get a close-up view of his various techniques. Thanks for sharing, David. 🙂

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This is a shot of people hanging out after the digital component of David’s Smart Talk presentation:


(photo by Denise Watson)

Here’s a closer look at David’s original boards:


(photo by Denise Watson)

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In this video clip, David talks about how his trade children’s book The Shy Creatures evolved from his Kabuki storyline.

(video by Denise Watson)

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David Mack is the New York Times Best Selling author and artist of the KABUKI Graphic Novels, the writer and artist of Daredevil from Marvel Comics, and the author and artist of his new children’s book THE SHY CREATURES from MacMillan publishing’s new children’s book imprint, which is in stores now and available at Amazon.com. Also worth noting, David is an extremely giving individual, always eager to share his knowledge with students.

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KERRIE HOULE: 1 POEM (2 VERSIONS)

KERRIE’D EVERYTHING ACROSS THE COUNTRY TO START A NEW LIFE

Distortion: Negation
Language is illness.
Transformed into space.
And confined to the page.

ImperfectionS giving birth to a ripple of line
she never meAnt to hurt you
but she waNts to get in trouble
she’s interesteD in the layers
but she Promised to wish she’d never come to art school
she Adores writing it out
but she’d Prefer see you fail
she hate’s being alonE
but she’ll cry in fRont of you if you wait long enough

Feedback
Internet stale as bricks.
Leaves hard like tricycles.
“You be the yard and I’ll be its grass.”

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Kerrie Houle is a Freshman at the Art Academy of Cincinnati. While still holding on to her Oregonian roots, she’s come to terms with the fact that Cincinnati is now her second home.

MONICA WENDEL: 1 POEM

ARS POETICA

When we hop the fence to the hospital on Roosevelt Island
I wonder if this is poetry, because poetry
does not believe in fences or doors or abandonment. Inside
trees grow through the ground, Chrysler building visible
through the not-roof and the empty window spaces that
open up like trachea. People came here to die of smallpox or to survive,
scarred and forever immune, taking with them the memory of
the smell of festering sores like a rotting bird.
So perhaps it is the hospital itself that is the poem
since it is transformative, since now it is a place
to stand on fallen-down metal doors, rubble, and watch the sky
and the East River move. Two weeks later
I hallucinate when I’m walking from the subway.
Messenger bag over one shoulder,
camera heavy in the other hand. Do ghosts mind
being recorded by the living? Or is their anger sparked by
how simple it is for an entire history to be forgotten?
The answer comes to me like bread rising:
They are angry at the fence put around them
breached and climbed in stilettos and sneakers,
the fence that pretends to contain what cannot be held in.

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Monica Wendel will receive her MFA in Creative Writing from NYU in May 2010. One of twelve semi-finalists in the 2009 Miss G Train pageant, she enjoys living in Brooklyn, teaching kids at St. Mary’s Health Care System for Children, and entering pointless competitions. In a past life she wrote product descriptions for coffee makers. Exciting developments to follow at www.twitter.com/monicaewendel.

Digits to Digital: An exhibition of iphone and ipod finger art

Digits to Digital: An exhibition of iphone and ipod finger art, is a fascinating, international online exhibition curated by John Bavaro for the Art Academy of Cincinnati by request of the editorial staff of the Incliner.

The following link will take you to the exhibition, which consists of numerous works by 10 artists, accompanied by a curator’s statement that opens a conversation about the compelling implications of a new form of art created by a medium for communication. The individual artists have also contributed brief statements about their work.

Digits to Digital

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Below is a sampling of work from the exhibition. Visit the link above to see many more pieces by these great artists.

James O’Shea
Daly City, CA, USA

Kara Kovacev,
New York, New York, USA

Matthew Watkins
Bari, Italy (Born in Manchester England, raised in Toronto, Canada, now living and working in Southern Italy

John Halliday
Edmonton, Alberta, Canada

John Bavaro, Erie, Pennsylvania, USA

Susan Murtaugh
Wisconsin, USA

Benjamin Rabe,
Hamburg, Germany

Julian Wigley
Melbourne, Australia

Cedric Philippe,
Saint Claude/Jura, France

James Schaffer
Pittsburgh, PA, USA

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The editors at the Incliner would like to thank John and all of the artists in this exhibit for all their hard work!

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Curator John Bavaro is Associate Professor of Art (Painting and Drawing) at Edinboro University of Pennsylvania where he is also the director of the Bruce Gallery. His own work, with the iphone, is an extension of his “GENUS” series-a collection of 100 oil paintings of primates (both human and non-human). More of John’s art can be viewed at
www.johnbavaro.com

A bit about John from his website:

“I’m an artist and educator at Edinboro University of Pennsylvania, where I’m the gallery director at the Bruce Gallery. I also teach full time in Drawing, Painting and 2-D Design.
I graduated with a Master of Fine Arts Degree from the University of Cincinnati, and received my B.A. in English from Miami University. I also did additional art foundations studies at Miami and the Art Academy of Cincinnati before getting an art degree.
In the 1990’s I spent four years in Thailand with the Maryknoll Mission Association, teaching a variety of groups including Buddhist monks and mentally disabled children. As the cliche goes, I’m sure they taught me more than I did them.”

NEW AAC Drawing IV BLOG

Check out AAC instructor Sarah Hollis’ Drawing IV class blog here: http://contemporarysfhollis-drawingiv.blogspot.com/. Already there are some excellent links and images up, including a amazing self-portrait by Sarah herself. This will no doubt be a blog to follow.

Welcome back! Spring is on the way.